Gold Mountain Dragon
Gold Mountain Dragon is my ongoing humanist, sociologically driven photographic project that explores the vulnerability and resilience of Chinese culture within Australia. Through cultural photography of Chinese migration and the living ties between South China and Chinese Australian communities, the work traces how identity is carried, suppressed, rediscovered and reimagined across generations. It examines both fragility and strength: the quiet erosion of language and ritual through assimilation, and the enduring persistence of family, memory and cultural practice despite exclusion.
At the heart of the project is my own family history. My great-grandfather migrated to Australia during the Gold Rush era, part of the wave of men who travelled from South China to what they called “Gold Mountain”. His story, like many others, was shaped by hardship, racial hostility and the discriminatory structures that later hardened under the White Australia Policy. That history left gaps. Cultural knowledge was muted, stories were lost, and identity became partially obscured across generations. This project is, in part, an act of discovery: a search for the cultural inheritance that was never fully explained yet quietly endured.
Gold Mountain Dragon also speaks to a broader Australian condition. Many Australians carry unknown or under-acknowledged Chinese heritage within their family histories, shaped by migration, intermarriage and historical silence. By photographing both contemporary Chinese Australian communities and ancestral landscapes in South China, I attempt to bridge geographic and emotional distances. Portraits, community spaces and landscapes become visual markers of connection, linking present-day Australia with origins in South China and illuminating the intergenerational negotiation of belonging.